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Contact High

by OPERATORS

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  • Compact Disc (CD) + Digital Album

    artwork by Boing
    www.facebook.com/boingbln/

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  • Full Digital Discography

    Get all 3 OPERATORS releases available on Bandcamp and save 30%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Revelers, Contact High, and OPERATORS. , and , .

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1.
Terra Ohm 04:06
I NEVER STOP gnaw on my toothpick like a ritual instrument scorpio beltbuckle that's where i rest my hand officer, i gotta say, i really love your land i drive off with a smile to get high in white sands i never stop - never i never stop - maybe for gasoline i never stop - never i never stop - you know what i mean? I NEVER STOP cut, cut, cut to my favorite bar there's this guy who's a 6 foot 5 rounds up horses by day, downs shots by night c'mon man, don't leave like that, you just shouldn't drink & drive shows me his badge, it's easy to take that in stride i never stop - never i never stop - maybe for gasoline i never stop - never i never stop - you know what i mean? I NEVER STOP
2.
the past has no authority it would only trouble me i'm being ripped off by the future imprinted in my memory now i gotta bring on the spice now i keep my eyes on the prize at any cost.. so roll your own throw the dice BRING ON THE SPICE coughing up blood on new year's day make 'em feel you truly lived embracing this foolish heritage i lace another cigarette recite the gonzo alphabet while pepper mills grind in my head grinding away.. so roll your own throw the dice why use all these words when less would suffice BRING ON THE SPICE it's all about the life that you're livin' it's all about the FUCK that you're givin' it's all about the pain of bein' driven, alright it's all about the FUCK that you're givin' BRING ON THE SPICE it's all about the life that you're livin' it's all about the FUCK that you're givin' it's all about the joy of bein' driven, alright it's all about the FUCK that you're givin'
3.
Tangerine 03:50
IT WAS A FABULOUS WAY TO MAKE 'EM THINGS RIGHT IT WAS A GLORIOUS WAY TO AVOID A NASTY FISTFIGHT you lost your knife i thought i gave it back to you and all and i stumble through the morning, in the evening i fall now i'm under the gun to take away your self-inflicted pain just one thing i know, i should have heard the thunder before the rain ...before the rain came... IT WAS A FABULOUS WAY TO MAKE 'EM THINGS RIGHT IT WAS A GLORIOUS WAY TO AVOID A NASTY FISTFIGHT we're like one-eyed jacks blinded by greed, hands ready to choke though we could be friends and the pines would swallow the smoke livin' with the insult it's a beautiful life indeed for a moment i'm gone call me up when you're in need so was there some loss? i don't know, was there any gain? just one thing i know i should have heard the thunder before the rain IT WAS A FABULOUS WAY TO MAKE 'EM THINGS RIGHT IT WAS A GLORIOUS WAY TO AVOID A NASTY FISTFIGHT
4.
DON'T YOU FEEL LOVED WHEN JUSTICE IS DONE AND DON'T YOU FEEL SAFE WHEN THE HEADLIGHTS ARE ON SOMEONE ALWAYS PRESSES RECORD WHEN THIS SONG IS SUNG IF JUSTITIA WERE A COP IT'S A GAME WE ALL WOULD HAVE WON justice everywhere it's the reason for your weakness, so don't you dare try to fill in the blanks on the road to completeness every frequency is the wrong frequency when you tune in to the channel of misery blood sweat and tear gas are right at hand just one more swing of the bat to the promised land so go ahead drawing straws for your noble cause high five to you, applause, applause justice everywhere a complacent illusion, what a cross to bear poke a hole in the soul of those in control it's not the chimney with smoke rings that burns the most coal DON'T YOU FEEL LOVED WHEN JUSTICE IS DONE AND DON'T YOU FEEL SAFE WHEN THE HEADLIGHTS ARE ON SOMEONE ALWAYS PRESSES RECORD WHEN THIS SONG IS SUNG IF JUSTITIA WERE A COP IT'S A GAME WE ALL WOULD HAVE WON ...don't you feel loved ...and don't you feel saved in a game we all would have won.
5.
If I Burn 05:06
sick like a pig, sick like a pig i gotta turn myself around sleep in my eyes, sleep in my eyes i gotta wake up once and for all the marrow is me, the marrow is me it's the one thing i need to reclaim WOULD THE FLAMES LICK AT YOUR FEET WOULD YOU HAVE SOME SYMPATHY WOULD YOU FLIP THE SCRIPT ON ME IF I, IF I, IF I, IF I BURN BURN, BURN, BURN, BURN, BURN gotta rip it away from the core, see what's left to burn
6.
Arrows 06:27
set the alarm pull the trigger then go back to sleep questions remain when was the last time that you saw blood milk the cow, omit the demon chances running scarce endless joy on bended knees one end to rule them all strike a match, remember to forget about yourself clouds of arrows aimin' nowhere, eradication's will a rule of thumb acting dumb the moment you are crowned audience halved, kisses and headbutts, time just stops and then what OH WHAT IS IT? CAN I HAVE IT? IS IT SOMETHING I CAN USE? WILL IT HELP ME BREAK OUT? it's arrows i shoot, common sense they refute aiming only and only at you ARROWS.
7.
Contact High 03:58
the chosen few are born with the caul a cover of bliss to protect them from it all outnumbered by the lowest on the totem pole who seem so afraid of breaching social protocol they just won't take a smile for what it's worth anymore...no... but you, you give me words to live by, music to die by, what a cerebral driveby I GET A CONTACT HIGH JUST FROM SEEING YOU SMILE I GET A CONTACT HIGH IT SURE LASTS A WHILE you're auditioning for freedom, all the time, everyday words of yours so powerful, these words of yours sustain now all the rorschachs they look like butterflies as i stare right back into your bloodshot eyes you're screwing the lightbulb right into the sun ...yeah... and you didn't have to love me like you did, but you did, but you did, and i thank you I GET A CONTACT HIGH JUST FROM SEEING YOU SMILE I GET A CONTACT HIGH IT SURE LASTS A WHILE I GET A CONTACT HIGH JUST FROM SEEING YOU SMILE I GET A CONTACT HIGH IT'S BLOWIN' MY MIND beatified by the beat by the rumbling in your head you gotta make yourself a saint before you end up dead beatified by the joy in your half-full lovin' cup you gotta smile back at the world before you're endin' up 80 miles out and 6 feet deep
8.
lookin' so sharp on the way to your funeral i hear the undertaker say "this donkey is pregnant, the widow's a midget" but bein' dead already, what'chu got to lose? bein' dead already, what'chu got to lose? SO SPREAD ALL YOUR LOVE, YEAH tightly knotted shoestrings, uncompromising mood swings a captain beefheart record under my arm you wear a certain routine in your savvy calm oh boy, i'll see you on the funny farm i'll see you up above on the funny farm SPREAD ALL YOUR LOVE, YEAH SPREAD IT ALL AROUND SO SPREAD ALL YOUR LOVE, YEAH bein' dead already, what'chu got to lose? bein' dead already, what'chu got to lose?

about

Released on Fuzzmatazz Records.
Vinyl and CD is available here:
fuzzmatazz.com/merch/index.php/artists/operators-merch.html

THANKS FOR YOUR SUPPORT
WITH EVERY STREAM & DOWNLOAD!
SEE YOU AT THE SHOWS!

Review by The Obelisk:
"Raucous Berlin six-piece Operators made an impression in 2012 with the unabashed new school stoner rock of their self-titled debut (review here) now a little older, a little wiser, a little more drunk, the band returns with Contact High, a record that wears its influences on its sleeve in much the same manner as the Satellite Beaver, Neume and Stonehenge patches grace the varsity jacket of the figure on the album’s cover. “Kiss of De Ath” resides at the end of side A of the eight-track/39-minute offering and offers some of Operators‘ most satisfying boogie as Konni‘s organ and the guitars of Jacky and Dirk align for an intricate but still-rolling groove of a midsection build while Stonehenge‘s Enni steps in as a guest singer, but it’s vocalist Eggat who makes the first impression on opener “Terra Ohm,” setting up a strong hook for the rest of Contact High to live up to. The album plays out unpretentious and riotous in kind, and while they haven’t necessarily settled down since their first outing, it’s easy enough to hear Operators as having solidified their approach somewhat. Konni‘s keys work just as well alongside the rhythm section of bassist Dän and drummer Säsh as with the guitars, and Eggat proves a formidable enough presence on cuts like “If I Burn,” “Bring on the Spice” (I don’t know whose guitar solo that is, but kudos) and the driving “Contact High” to reign the rest into cohesion. The six-and-a-half-minute “Arrows” shows a more subdued side that, somewhat surprisingly, never quite explodes into the noisy chicanery found elsewhere. Could it be that Operators are growing up right before our ears? I don’t know, but the results are fascinating and display more even potential from these Desertfest veterans"
theobelisk.net/obelisk/2014/03/06/reviews-hobosexual-midryasi-operators-pylar-system-of-venus/

credits

released October 2, 2013

Eggat - Vocals
Konni - Organ
Dirk - Guitar & Backing Vocals
Jacky - Guitar
Dän - Bass
Säsh - Drums & Backing Vocals

Enni - Additional Vocals on 'Kiss of De Ath'

Artwork by Boing

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OPERATORS Berlin, Germany

"It is a rollercoaster, complete with ups and downs, climbs and descents that ultimately combine for a well put together if recognizable sound. [...] One of the five reasons I wish I went to Desertfest Berlin 2012."
www.theobelisk.net

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